CELEBRITY
BREAKING NEWS: Stop criticizing me Taylor Swift told haters bringing guests onstage is not strange, Travis Kelce is a special guest and to show the World difference between My past relationship.

Taylor Swift is no stranger to bringing guests onstage. But during her last show in London on The Eras Tour on Sunday, she had a very special one: Her boyfriend, Travis Kelce.
Dressed in a ringmaster ensemble, the football star popped up during a costume change skit that acts as the prelude to Swift’s performance of “I Can Do It With a Broken Heart.”
Before she delivered the first lyric, Swift even broke character to blow Kelce a kiss.
Of course, Swift and Kelce haven’t been shy about kissing, cuddling, and supporting each other’s endeavors since they began dating last summer.
But Kelce’s cameo gave PDA a whole new meaning. Never before had Swift invited a boyfriend to share the spotlight during one of her concerts, never mind one on a legacy-cementing, billion-dollar tour.
The move seems even more surprising and extravagant in contrast to Swift’s previous relationship with British actor Joe Alwyn.
During their six years together, both stars fiercely protected their privacy and were rarely seen together in public.
But for longtime Swifties, those who predate her relationship with Alwyn, Sunday’s events will feel more familiar than strange — almost like a callback to simpler times.
In the first half of her career, Swift wasn’t shy about her most romantic whims.
She posted photos of heart-shaped lockets and tropical getaways; she took seaside strolls with her boyfriend’s mom; she wore ballgowns and belted starry-eyed ballads while suspended in the air on flying balconies.
Swift loved a grand gesture, both real and imaginary.
This was especially evident during The 1989 World Tour, which ran for nearly seven months in 2015. No, Swift’s boyfriend at the time, Calvin Harris, did not make a surprise appearance.
But pretty much everyone else did — from close friends like Karlie Kloss and Lena Dunham to athletes like Kobe Bryant and all manner of musicians and rock stars.
Every night brought a new face, a new thrill, a new thread in the vast web of Swiftian lore.
At the time, the “1989” era marked the highest peak in Swift’s fame.
Mostly thanks to her talent and partially thanks to her self-spun underdog narrative, she had enjoyed years of headlines like “Taylor Swift: America’s Sweetheart” and “Taylor Swift Is the Music Industry.”
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